Fancy Basket, c. 1900, Sweetgrass & Ash Splint, Abenaki, Housed at Mt. Kearsarge Indian Museum
This fancy basket with a flip lid has dark colored handles on the side and a blueish green latch on the front. The edge of the basket is decorated in…
Fancy Basket, c. 1900, Ash Splint, Abenaki, Housed at the Mt. Kearsarge Indian Museum
This is a small, purely decorative, fancy basket. The main structure of the basket is tightly woven with light colored ash splints. The even sized and very smooth…
Eel Weir, c. early 1900s, Wood Splint, Abenaki, Housed at The Mt. Kearsarge Indian Museum
An unidentified fishing basket trap from the Mt. Kearsarge Indian Museum in Warner, NH, is likely an eel trap. Woven from wood splints, it stands nearly three…
Farm Basket, mid-late 1800s, Wood Splint, Abenaki, Housed at the Hopkinton Historical Society
The Life of a Basket
waligek abaznoda gagalnemenal/ abaznodakad w’eljial.
A good basket holds its maker's hands.
(Jesse Bruchac, "Abaznodaal")
Baskets are…
Basket, Ash Splint, Abenaki
The Universal Container
We do not think of baskets in a practical way anymore; they are mostly decorative art. If we need a durable container for large dry goods, we are likely to use a plastic bin. Starting in the 1930s,…
Suzanne Rancourt is a Native American poet, veteran of both the United States Marine Corps and the United States Army, and a regular Jack of all trades (Erdrich). Rancourt connects with people through her poetry, as well as through other art forms,…