Ash Basket by Liz Charlebois

What Is In A Basket?

At first glance this basket might seem like a beautiful decoration or a cherished household item. While the basket is both of these things, there is a history and story behind it that is not immediately visible. Made by Abenaki Basketmaker, Liz Charlebois, out of sweet grass and ash splints, this basket represents generations of skilled Abenaki artisans that have perpetuated their culture through the traditional making of baskets (Charlebois). In fact, Abenaki women have been practicing the art of making baskets for hundreds of years (Calloway 37). Baskets became a necessary part of Abenaki culture because women had to travel long distances to pick and gather berries; baskets allowed the women to carry more supplies with less work. However, baskets became much more than carrying items, it became an important part of Abenaki economy and history (37). Although basket styles have changed throughout the years, their significance within Abenaki culture has not (Day).

But What Does A Basket Have To Do With Culture? 

Baskets are important to Abenaki culture not just because of their practicality and their value as an art form, but because of the stories that they hold (Charlebois). Whether these stories are of a personal nature or of a historical one, the basket serves as a record of friendship or of the past. While a basketmaker's materials of choice are ash splints, a storyteller's materials of choice are words that are woven together to form stories, histories, and records of relationships that exemplify their culture. In this way, storytellers and basketmakers are very similar. Along with being an accomplished basketmaker, Liz Charlebois is a storyteller that understands the connection between baskets, stories, and culture (Charlebois). One of the many stories that she tells emphasizes the relationship between the Abenaki, baskets, and nature:

In the old days life was very hard for the women within all of the villages. The women had to gather firewood, food, and medicinals with nothing but their hands and arms to carry with. They toiled long and hard and every working hour was devoted to these tasks. It took much effort and many trips from the village to the forest and back again before the women could rest for the night and they were always exhausted at the end of the day from all the toil and the repeated distances they had to travel with their goods. All the birds, beasts, trees, and all living things saw how hard the women worked. After a time on a very hot day a woman sat in the shade of an ash tree. The ash tree took pity and spoke to the woman, told her the certain way to make baskets and how to be grateful for this great gift to help the women with their work. The ash tree told the woman to always remember to be grateful for all that was given and taught her a song of thanks to sing. This woman taught the other women of the village how to make baskets to help carry their burdens and she taught them all how to sing the song of thanks. For many years afterwards the women were grateful and remembered the song to sing. The work became much easier and the women were happy for a time with their gift. Anyone could look out through the forest or the fields and they would see the women were happily gathering and singing as the baskets followed along behind carrying all of the women's burdens. After a time, the women began to take the great gift of the baskets for granted, they stopped singing the songs of thanks. The baskets began to think that their gift was no longer appreciated and they stopped following the women at their work. From that time until this time baskets have remained a true gift from the ash tree but no longer do they simply follow a woman at work but the women now carry the baskets, burden and all.

A Story of Baskets and Nature 

This story is a cautionary tale that underscores the importance of the appreciation of nature. The story attributes the first creation of a basket to the ash tree: an act that underscores the role of the ash tree in basketmaking (Charlebois). Without the ash tree, there are no baskets. The story encourages the Abenaki to be respectful to nature. Furthermore, it emphasizes the importance of sustainability within Abenaki culture. Nothing must be taken for granted. The Abenaki continue to keep sustainability an important part of their culture. In fact, as Joseph Bruchac explains, "it is important to remember the old stories when we consider the relationship today of Abenaki people to the land" (Bruchac 2). The land must be respected or there will be consequences. Even those who have not heard of this story understand that sustainability and basketmaking go hand in hand, whether by preserving ash trees or by using different materials all together.

Proof of Culture

In addition to the importance of sustainability, the story asserts that baskets have the power to archive a set of tenets for a culture. In other words, by looking at baskets we can understand a part of Abenaki culture. In many cultures, storytelling is used as a way of teaching children about nature, their heritage, and what has happened in their history. This is just as true in Abenaki culture.

This particular basket was made by Charlebois as a present for her brother. It expresses friendship and care. This simple act of giving a gift is one way to continue on the tradition of baskets. Charlebois also passes on the art of basketmaking to her daughter. Charlebois' daughter enjoys making bookmarks and baskets (Goff). 

A Natural Archive

The story also makes a comment on the act of passing on stories and other traditions. For example, when the ash tree teaches the woman basketmaking, the tree also teachers her "a song of thanks" (Charlebois). The baskets only do the work for the women as long as they give thanks. However, as soon as they take the baskets for granted and forget to sing the song, they must once again carry their burden. By passing on cultural beliefs and other traditions, the Abenaki remember to always be thankful. The participation of the younger generation is imperative in preserving culture.

As Liz Charlebois explains, baskets are a prominent part of Abenaki history and contribute to culture by telling the story of that history (Goff). Stories can bring people closer together because it is a way of sharing feelings and stories of the past. Like stories, baskets also bring people of different backgrounds together through demonstrations, apprenticeships, and the stories that are attached to them.

Works Cited

Bruchac, Joseph. Rooted Like the Ash Trees: New England Indians and the Land. Ed. Richard G. Carlson. Naugatuck, Conn.: Eagle Wing, 1987. Print.

Calloway, Colin G., and Frank W. Porter. The Abenaki: Indians of North America. N.p.: Chelsea House, 1989. Print.

Charlebois, Liz. “Basket Making.” Message to Stephanie Gilkenson. 12 Apr. 2012. E-mail.

Day, Gordon M. In Search of New England’s Native Past: Selected Essays by Gordon M. Day. Univ of Massachusetts Pr, 1999. Print.

Goff, John. “Abenaki Basket-making.” http://www.wickedlocal.com/salem. Salem Gazette, n.d. Web. 19 Oct. 2012.

Ramsdell, Jared. Charlebois Baskets – 1. 2012. Photograph. Charlebois Baskets. Jared Ramsdell Photography. Jared Ramsdell, 2012. Web. 8 Oct. 2012.

Photo courtesy of Jared Ramsdell.